Muse
cat woman
a poison green dystopian sign
mounted on a modernist crime
tells me, should I be lost
I’m in Zentrum Kreuzberg
cat woman gave me a purr
invited me up wrought iron stairs
to some back street tenement
with dog kennel rooms
in a chamber of permanent night
metronome plumbing dripped
granulated forms glided
across granulated walls
she curled and purred and scratched
the spread of her hips
her pubic mound in cherry motif pants
the smooth curve of her breasts
her feral cats arched their backs
rasped their claws and wove
a spell around her ankles
until her smile turned feline
the shape of her mouth
kissed into a promise
her musky breath, stupifies
dissolves your resistance
she’ll scratch you for your cream
later she will serve it up
in coffee with pfeffernusse
and fingers that smell of sex
the dead centre of the universe
heavenly express
in Bad Bentheim, a man
caught the train to heaven
why that particular train
on that particular day
when the summer sun
gilded the town
and temperate greens
were lush and tropical
a day too perfect, even
my atheist eye saw angels
but one man’s tragedy
is another man’s inconvenience
the platform, an irritating causeway
we strode up and down
pulling on cigarettes and speculated
love, betrayal
how dull drudgery can lead down
into the tunnel’s black drain
where windows turn opaque
then turn mirror
reflecting back on yourself
looking out, into the darkness
the morrow, rain was forecast
a return to dreariness
a more appropriate day
to hijack the train to heaven
explaining women & other nonsense
the first line drawn (excerpt from Explaining Women)
when was the first line drawn
when the first caveman
eyed the first cavewoman
and felt the animal inside
welling up through knotted gut
dispersing his modicum
of abstract thought
then taking a charcoal from the fire
he began to draw, to nullify
the madness in his head
exaggerating those parts
that obsessed him most
breasts, rump and thigh
but the shaman’s graphic plan
for all it’s magic artistry
to possess what he didn’t posses
illustrated his hands’ emptiness
his need for a cunning plan
the need to render her helpless
to succumb to his caveman charm
with club in hand and honey for bait
a prehistoric ars amatoria
delivered his desire to his lair
where his fevered hands explored
rounds, clefts and orifices
an anatomical lesson for tyro artists
to draw what is perceived with touch
dressed in nothing but her skin
she’s a parchment for his graphic hand
to wander with a line across her naked downs
spread her out like a trophy mat
deep in the cave of his imagination
where his totem is enlarged and proud
he decorated the walls with her nakedness
objectified and made concrete
the transient experience of her form
mapped out in radials of a compass
a star chart of metaphysical connections
the geometry of her horoscope
he assesses with his accusatory eye
how his earth spins on her axis
she was an equation to be solved
a complex of tangents mapped in time and space
the dumbstruck caveman gawped in awe
as she arced across his sky
heavy and swollen with pendulous breasts
parturient belly and prominent pubis
from which cavebabies crawled
old man's poems
the Enlightenment being some white man's
conspiracy of dark oppression, all people
being equal, while all people are unequal
privilege being genetically inherited
an indication of transgressive thought
there is no escape from the accusatory
finger, sharp as a dagger
I keep my sins to myself, the vigilantes
being on the prowl, ready to shoot
from the hip, should I show signs
of being less than administratively human
bureaucratic oppression, a questionnaire
where the questions are never asked
my answers, genetically inherited
my status allocated, I'm an old dog
barking, never properly trained, I'm a stray
I root with my snout, in the undergrowth
poke around bins, scratch the flea behind
my ear, lick my balls and cock my leg
more dog than man, I have no collar, no leash
I see what I see, smell what I smell
if there is a bitch in heat, I mount her
my attitude puts me beyond redemption
my transgressions noted, filed as evidence
I am categorised social remedial, handicapped
with the inability to process truth, beyond reform
I wear my shame, with puffed out chest
like a soldier wears his medals
if truth is so plastic, I'll manufacture
my own, unknot reality, weave my own fictions
deliver assertions as fact, reshape my brain
explore the world as a dog, respond to stimuli
instinct, all thought redundant, some would say
I'm already animal, yes and I'm too old to care
just don't woke me up, before I'm dog
poems still to be found online
Olivetti, The Amsterdam Quarterly
A Modern Bourbon, The Amsterdam Quarterly
Meat, Expanded Field